Behind the Scenes

6 min read

How we shot a car film in ninety minutes of daylight

Scouting, rigging and one very early alarm: the production notes behind Redline for Vanta Motors.

Plan for the light, not the schedule

The best light on that mountain lasted ninety minutes. Everything else — crew call, rigging, catering, even the order of shots — was designed backwards from those ninety minutes.

One car, one rig, zero retakes

We had a single hero car and no backup. The arm car team rehearsed every move the afternoon before, so the morning itself felt almost quiet.

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